KerrisdaleGallery.com – Stock ID#VV973ps-Px8 – “Progressions 1973” by Victor Vasarely – Showing prints 1 to 4 with full margins:
(1) BABEL-3 (2) CHEYT-MC-4 (3) HAT-B (4)KOSKA-QUEMER
As shown, there is text printed on the reverse side of each print. Text provides Title plus size and date of the original work, of which these are offset lithograph reproductions.

KerrisdaleGallery.com – Stock ID#VV973ps-Px8 – “Progressions 1973” by Victor Vasarely – Showing prints 5 to 8 with full margins
(5) QUASAR-PAAL-2 (6) QUASAR-ZETT (7) TEST-2 (8)VEGA-PAL-B
As shown, there is text printed on the reverse side of each print. Text provides Title plus size and date of the original work, of which these are offset lithograph reproductions.

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – composite photo showing three original woodcuts in colour by Joan Miro: the frontispiece (the black O), the title page and the printing credits page: printed in a limited edition of 50 plus 10 hors de commerce – (available in portfolio from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – composite photo showing titles “Femme Assise” from the series of 2 offset lithographs, each signed in plate and identified on the reverse side as I/II and II/II. Showing prints with the full margins, which all of the 23 offset lithographs have. (available in portfolio from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – composite photo, margins cropped, showing titles “Femme” from the series of 6 offset lithographs, each signed in plate and identified on the reverse side as I/VI through VI/VI, (prints available in portfolio from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – composite photo showing titles “Femme Assise” from the series of 5 offset lithographs, each signed in plate and identified on the reverse side as I/V through V/V, (available in portfolio from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – composite photo showing titles “Femme et Oiseau” from the series of 10 offset lithographs, each signed in plate and identified on the reverse side as I/X through X/X (available in portfolio from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Femmes by Claude Simon (text), Joan Miro (illustrations) – 1965 Maeght Editeur, Paris – Portfolio of 23 offset lithographs, 3 original woodcuts, and accompanying text pages 9 through 20 (missing the earlier pages)- unbound, as issued – composite photo showing pages 9 and 20 written by Claude Simon (available from KerrisdaleGallery.com, Stock ID# MIR265bvPx26)

Michael A. Richecoeur – “Jersey” 1976 Portfolio of 12 copperplate etchings – Shown here are Plates 5) Faldouet Dolmen, 6) Seymour, 7) Mont Orgueil, 8) Bunker – limited edition number 35/100 – KerrisdaleGallery.com, Stock ID#RM760eh-snt-Px12

Michael A. Richecoeur – “Jersey” 1976 Portfolio of 12 copperplate etchings – Shown here are Plates 9) Grosnez, 10) Le Pinnacle, 11) La Collette, 12) Witches Rock – limited edition number 35/100 – KerrisdaleGallery.com, Stock ID#RM760eh-snt-Px12

Michael Richecoeur: Title Page, numbered 35/100 and signed by artist, from “Jersey” 1976 portfolio of twelve copperplate etchings – KerrisdaleGallery.com, Stock ID# RM760eh-snt-Px12

Michael Richecoeur: Artist Statement from “Jersey” 1976 portfolio of twelve copperplate etchings – KerrisdaleGallery.com, Stock ID# RM760eh-snt-Px12

Michael Richecoeur: List of Plate Titles from “Jersey” 1976 portfolio of twelve copperplate etchings – KerrisdaleGallery.com, Stock ID# RM760eh-snt-Px12

Michael Richecoeur: “Jersey” 1976 leather-bound portfolio of twelve copperplate etchings with full documentation: Cover Page, Title Page, Artist Statement of Introduction and List of Plates- KerrisdaleGallery.com, Stock ID# RM760eh-snt-Px12

“Café-Thé” by Eva Landori – original hand-coloured etching from the 1972 Portfolio “Gravures”, published in Montreal – limited edition, number 39/75 – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

“Philodendron” by Eva Landori – original hand-coloured etching from the 1972 Portfolio “Gravures”, published in Montreal – limited edition, number 39/75 – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

“Repos” by Eva Landori – original hand-coloured etching from the 1972 Portfolio “Gravures”, published in Montreal – limited edition, number 39/75 – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

“Dans La Fenetre” by Eva Landori – original hand-coloured etching from the 1972 Portfolio “Gravures”, published in Montreal – limited edition, number 39/75 – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

“La Feuille Tomble” by Eva Landori – original hand-coloured etching from the 1972 Portfolio “Gravures”, published in Montreal – limited edition, number 39/75 – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

“Gravures 1972” by Eva Landori, Portfolio of 6 original etchings, signed, titled and numbered 39/75. Image shows outer hard-cover Portfolio and how the etchings are packaged inside. Included image is of the reverse side of a print, to show the deep texture of the etching. – KerrisdaleGallery.com – Stock ID#LE702ev-snt-Px6

KerrisdaleGallery.com – Stock ID#DB990ph-sn-Px6 – “Hide and Seek” by Bev Doolittle – Art portfolio of 6 mini-prints, each hand-numbered by the artist with one hand-signed by the artist. Shown here with full margins and with image enlarged are Prints numbered “16564d” (aka C2) “16564e” (aka D3) and “16564f” (aka B6), which is also hand-signed. Published 1990 by the Greenwich Workshop. (“aka” refers to the mini-print’s position in the larger composite of “Hide and Seek”, comprised of 24 panels of pinto ponies camouflaged by the landscape)

KerrisdaleGallery.com – Stock ID#DB990 – Hide and Seek by Bev Doolittle, Greenwich Workshop – 1990 Portfolio and Documentation with Artist Biography

KerrisdaleGallery.com – Stock ID#DB990 – Hide and Seek- 1990 Portfolio by Bev Doolittle – Complete Original Packaging fully documents limited edition number 16564

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – Coloured etchings “Sonnet 2” and “Sonnet 3” by Rita Briansky, each numbered 61/75, titled and signed in pencil by the artist – from the 1972 portfolio “Ten Etchings From Wm. Shakespeare’s Sonnets”. The Sonnets are included, each printed on a separate sheet.

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – Coloured etchings “Sonnet 12” and “Sonnet 14” by Rita Briansky, each numbered 61/75, titled and signed in pencil by the artist – from the 1972 portfolio “Ten Etchings From Wm. Shakespeare’s Sonnets”. The Sonnets are included, each printed on a separate sheet.

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – Coloured etchings “Sonnet 19” and “Sonnet 24” by Rita Briansky, each numbered 61/75, titled and signed in pencil by the artist – from the 1972 portfolio “Ten Etchings From Wm. Shakespeare’s Sonnets”. The Sonnets are included, each printed on a separate sheet.

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – Coloured etchings “Sonnet 25” and “Sonnet 30” by Rita Briansky, each numbered 61/75, titled and signed in pencil by the artist – from the 1972 portfolio “Ten Etchings From Wm. Shakespeare’s Sonnets”. The Sonnets are included, each printed on a separate sheet.

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – Coloured etchings “Sonnet 35” and “Sonnet 52” by Rita Briansky, each numbered 61/75, titled and signed in pencil by the artist – from the 1972 portfolio “Ten Etchings From Wm. Shakespeare’s Sonnets”. The Sonnets are included, each printed on a separate sheet.

KerrisdaleGallery.com – Stock ID#BR702ev-snt-Px11 – “Ten Etchings From Wm. Shakespeare’s Sonnets” by Rita Briansky – a limited edition Portfolio of 11 etchings (10 sonnets and 1 title page), each numbered 61/75, titled and signed in pencil by the artist. As shone here: the suite is presented in a green fabric hard-cover Portfolio; the Title Page is itself an original etching hand-signed by the artist. Published in 1972 by Waddington Galleries, Montreal.